Twenty years after they were frozen, Abe, Cleo, JFK, and Joan suddenly find themselves thrust into the modern world, where they must navigate a fresh batch of historical clones, dramatic love triangles, and a formidable new foe.
Is Clone High on Netflix? Unfortunately this serie is not yet available on Netflix.
Title | Air Date | Duration | ||
---|---|---|---|---|
Season 1 | Episode 1 | Escape to Beer Mountain: A Rope of Sand | 2002-11-02 | 30 min |
Season 1 | Episode 2 | Episode Two: Election Blu-Galoo | 2002-11-03 | 30 min |
Season 1 | Episode 3 | A.D.D.: The Last 'D' is for Disorder | 2002-11-10 | 30 min |
Season 1 | Episode 4 | Film Fest: Tears of a Clone | 2002-11-17 | 30 min |
Season 1 | Episode 5 | Homecoming: A Shot in D'Arc | 2002-11-24 | 30 min |
Season 1 | Episode 6 | Sleep of Faith: La Rue D'Awakening | 2002-12-01 | 30 min |
Season 1 | Episode 7 | Plane Crazy: Gate Expectations | 2002-12-08 | 30 min |
Season 1 | Episode 8 | A Room of One's Clone: The Pie of the Storm | 2002-12-15 | 30 min |
Season 1 | Episode 9 | Raisin the Stakes: A Rock Opera in Three Acts | 2003-01-12 | 30 min |
Season 1 | Episode 10 | Litter Kills: Litterally | 2003-01-19 | 30 min |
Season 1 | Episode 11 | Makeover, Makeover, Makeover: The Makeover Episode | 2003-01-26 | 30 min |
Season 1 | Episode 12 | Changes: The Big Prom: The Sex Romp: The Season Finale | 2003-03-02 | 30 min |
Season 1 | Episode 13 | Snowflake Day: A Very Special Holiday Episode | 2003-04-13 | 30 min |
Writing | Siena East | Story Editor |
Production | Matt Marshall | Supervising Producer |
Production | Kyle Lau | Co-Producer |
Production | Jess Lamour | Supervising Producer |
Production | Chris Miller | Executive Producer |
Visual Effects | Ray Ocampo | Animation Director |
Visual Effects | Kristin Handley | Animation Supervisor |
Lighting | Joel Chambers | Lighting Supervisor |
Production | Florian Schereck | Finance |
Production | Leslie Hewitt | Production Accountant |
Production | Dannah Feinglass Phirman | Co-Executive Producer |
Production | Libby Thomas Dickey | Casting |
Directing | Mickey Jacobs | Script Coordinator |
Production | Meagan Borosch | Production Manager |
Production | Marlena Rodriguez | Supervising Producer |
Production | Christos Kiriakakis | Production Coordinator |
Sound | Hunter Curra | Supervising Sound Editor |
Visual Effects | Justin Nichols | Animation Director |
Sound | Tommy Walter | Main Title Theme Composer |
Sound | Ryan David Adams | Sound Re-Recording Mixer |
Production | Phil Lord | Executive Producer |
Production | Bill Lawrence | Executive Producer |
Sound | Tommy Walter | Theme Song Performance |
Production | Judah Miller | Co-Executive Producer |
Writing | Matthew Kerr | Writers' Assistant |
Production | Erica Rivinoja | Executive Producer |
Production | Erik Durbin | Executive Producer |
Production | Corey Campodonico | Executive Producer |
Production | Alexander Bulkley | Executive Producer |
Production | Jeff Ingold | Executive Producer |
Production | Kimberly Vanek | Associate Producer |
Production | Danielle Schneider | Co-Executive Producer |
Production | Aubrey Lee | Producer |
Production | Izzy Arias | Casting Assistant |
Sound | James Singleton | Sound Editor |
Crew | Rosemary A. Colliver | Legal Services |
Production | Ryn Soorholtz | Associate Producer |
Production | Matt Jepsky | Production Supervisor |
Visual Effects | Joel Chambers | Compositing Supervisor |
Sound | Ethan Walter | Dialogue Editor |
Crew | Ethan Lenick | Legal Services |
Production | Eric Blyler | Line Producer |
Visual Effects | Melody Tsui | Layout Supervisor |
Crew | Julie Roark Dod | Legal Services |
Sound | Corbin Bumeter | Sound Editor |
Sound | Greg Danylyshyn | Music Supervisor |
Visual Effects | Richard Duhaney | Animation Supervisor |
Production | Mary Hidalgo | Casting |
Art | Tara Billinger | Art Direction |
Sound | Tommy Walter | Original Music Composer |