As dawn breaks on April 25, 1915, ANZAC troops go into battle on the beaches of the Gallipoli peninsula. Landing in the dark chaos, Tolly, Bevan and their mates struggle to establish a tenuous foothold on the treacherous slopes and deep ravines. They endure the next eight months on the peninsula learning lessons of survival. By the time of the final evacuation they have also learned the skills of combat and what it means to be a young man in war.
Is Gallipoli on Netflix? Unfortunately this serie is not yet available on Netflix.
| Title | Air Date | Duration | ||
|---|---|---|---|---|
| Season 1 | Episode 1 | The First Day | 2015-02-09 | 60 min |
| Season 1 | Episode 2 | My Friend, The Enemy | 2015-02-16 | 60 min |
| Season 1 | Episode 3 | A Man Alone | 2015-02-23 | 60 min |
| Season 1 | Episode 4 | The Deeper Scar | 2015-03-02 | 60 min |
| Season 1 | Episode 5 | The Breakout | 2015-03-02 | 60 min |
| Season 1 | Episode 6 | If Only... | 2015-03-09 | 60 min |
| Season 1 | Episode 7 | The Earth Abides | 2015-03-09 | 60 min |
| Production | Deborah Glover | Production Manager |
| Production | Ross Allsop | Line Producer |
| Production | Imogen Banks | Producer |
| Production | Robert Connolly | Producer |
| Production | John Edwards | Producer |
| Production | Janeen Faithfull | Executive Producer |
| Production | Jo Rooney | Executive Producer |
| Production | Andy Ryan | Executive Producer |
| Sound | Stephen Rae | Music |
| Camera | Germain McMicking | Director of Photography |
| Editing | Deborah Peart | Editor |
| Production | Jane Norris | Casting |
| Art | Josephine Ford | Production Design |
| Art | Rolland Pike | Set Decoration |
| Costume & Make-Up | Cappi Ireland | Costume Design |
| Costume & Make-Up | Chiara Tripodi | Key Makeup Artist |
| Costume & Make-Up | Brydie Stone | Prosthetic Makeup Artist |
| Costume & Make-Up | Brydie Stone | Hairstylist |
| Costume & Make-Up | Vaso Babic | Special Effects Makeup Artist |
| Directing | Jamie Hetherington | Third Assistant Director |
| Directing | Mark J. Ingram | Second Assistant Director |
| Directing | Jamie Leslie | First Assistant Director |
| Directing | Stephen McCallum | Second Unit Director |
| Directing | Ian 'Scooter' Welbourn | Second Second Assistant Director |
| Directing | David Fraser Young | Third Assistant Director |
| Sound | Emma Bortignon | Sound Designer |
| Sound | Alex Francis | Foley Artist |
| Sound | Glenn Newnham | Sound Editor |
| Sound | Diego Ruiz | Foley Editor |
| Sound | Adam Connelly | Sound Recordist |
| Visual Effects | Peter Stubbs | Special Effects Supervisor |
| Crew | Al Spicer | Special Effects Assistant |
| Crew | Mitch Deans | Stunt Coordinator |
| Crew | Jade Amantea | Stunt Coordinator |
| Crew | Robbie Clissold | Stunts |
| Crew | Adrian Pickering | Stunts |
| Crew | Daniel Solis | Stunts |
| Crew | Chris Weir | Stunts |
| Camera | Grant Adams | Camera Operator |
| Camera | John Brawley | Second Unit Director of Photography |
| Lighting | Sebastien Deveze | Lighting Technician |
| Camera | Tayman Tekin | First Assistant Camera |
| Camera | Sarah O'May Turner | Second Assistant Camera |
| Production | Emma Dockery | Casting Associate |
| Editing | Olivier Fontenay | Colorist |
| Production | Rachel McKellar-Harding | Post Production Producer |
| Directing | Ted Green | Script Supervisor |
| Directing | Claire Phillips | Script Coordinator |
