As dawn breaks on April 25, 1915, ANZAC troops go into battle on the beaches of the Gallipoli peninsula. Landing in the dark chaos, Tolly, Bevan and their mates struggle to establish a tenuous foothold on the treacherous slopes and deep ravines. They endure the next eight months on the peninsula learning lessons of survival. By the time of the final evacuation they have also learned the skills of combat and what it means to be a young man in war.
Is Gallipoli on Netflix? Unfortunately this serie is not yet available on Netflix.
| Title | Air Date | Duration | ||
|---|---|---|---|---|
| Season 1 | Episode 1 | The First Day | 2015-02-09 | 60 min |
| Season 1 | Episode 2 | My Friend, The Enemy | 2015-02-16 | 60 min |
| Season 1 | Episode 3 | A Man Alone | 2015-02-23 | 60 min |
| Season 1 | Episode 4 | The Deeper Scar | 2015-03-02 | 60 min |
| Season 1 | Episode 5 | The Breakout | 2015-03-02 | 60 min |
| Season 1 | Episode 6 | If Only... | 2015-03-09 | 60 min |
| Season 1 | Episode 7 | The Earth Abides | 2015-03-09 | 60 min |
| Production | Deborah Glover | Production Manager |
| Camera | Germain McMicking | Director of Photography |
| Sound | Alex Francis | Foley Artist |
| Crew | Jade Amantea | Stunt Coordinator |
| Editing | Deborah Peart | Editor |
| Costume & Make-Up | Brydie Stone | Prosthetic Makeup Artist |
| Costume & Make-Up | Vaso Babic | Special Effects Makeup Artist |
| Sound | Diego Ruiz | Foley Editor |
| Camera | John Brawley | Second Unit Director of Photography |
| Editing | Olivier Fontenay | Colorist |
| Camera | Grant Adams | Camera Operator |
| Directing | Claire Phillips | Script Coordinator |
| Sound | Adam Connelly | Sound Recordist |
| Crew | Robbie Clissold | Stunts |
| Production | Ross Allsop | Line Producer |
| Production | Rachel McKellar-Harding | Post Production Producer |
| Production | John Edwards | Producer |
| Crew | Al Spicer | Special Effects Assistant |
| Production | Andy Ryan | Executive Producer |
| Sound | Emma Bortignon | Sound Designer |
| Crew | Adrian Pickering | Stunts |
| Camera | Sarah O'May Turner | Second Assistant Camera |
| Directing | Ted Green | Script Supervisor |
| Costume & Make-Up | Brydie Stone | Hairstylist |
| Directing | Mark J. Ingram | Second Assistant Director |
| Production | Emma Dockery | Casting Associate |
| Directing | Jamie Hetherington | Third Assistant Director |
| Crew | Mitch Deans | Stunt Coordinator |
| Camera | Tayman Tekin | First Assistant Camera |
| Directing | David Fraser Young | Third Assistant Director |
| Art | Josephine Ford | Production Design |
| Sound | Glenn Newnham | Sound Editor |
| Crew | Daniel Solis | Stunts |
| Production | Imogen Banks | Producer |
| Production | Robert Connolly | Producer |
| Production | Janeen Faithfull | Executive Producer |
| Directing | Jamie Leslie | First Assistant Director |
| Art | Rolland Pike | Set Decoration |
| Directing | Ian 'Scooter' Welbourn | Second Second Assistant Director |
| Crew | Chris Weir | Stunts |
| Production | Jane Norris | Casting |
| Costume & Make-Up | Cappi Ireland | Costume Design |
| Lighting | Sebastien Deveze | Lighting Technician |
| Visual Effects | Peter Stubbs | Special Effects Supervisor |
| Production | Jo Rooney | Executive Producer |
| Sound | Stephen Rae | Music |
| Costume & Make-Up | Chiara Tripodi | Key Makeup Artist |
| Directing | Stephen McCallum | Second Unit Director |
